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SHORTS 9:16
(BachaZouk) Undressing is way too hard for a bachata nerd! Garion & Anar broke it down and I finally kinda got it~ let's get it together! Garion & Anar LATIN Workshop


Lines worth chewing on — tap to jump to the moment.

“The hand itself isn't what matters. What matters is keeping this connection.”
CONTEXTAnswering a question about how to hold the hand in the undressing move

“First you send the weight into the foot, then you take the body, and the head moves last.”
CONTEXTBreaking the undressing move down into its order of movement — foot, body, head

“Don't break your neck. Keep lengthening it.”
CONTEXTCorrecting the mistake that strains the neck during head movement

“You don't need to lift your foot. You can do it with both feet staying on the floor.”
CONTEXTExplaining how to cut out unnecessary motion in a weight transfer

“Going from one side to the other — that's just a weight transfer.”
CONTEXTStripping the move down to make the point that it's all about shifting weight

“When you're working with the head, you have to block the hips. And when I say hips, I just mean weight transfer — not this shaking-hips thing.”
CONTEXTClearing up a misunderstanding about how the hips are used during head movement

“You have to make a good angle.”
CONTEXTA quick emphasis on shaping the body's angle in the undressing move

“If you feel the leader activate the frame, then you activate your frame too, follower. Because the leader is trying to lead.”
CONTEXTOn frame connection with your partner and how the lead–follow response works
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