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Latest first6 videos
(Bachata) That pretty-but-puzzling move, broken down step by step with Mongu & Rafle~ LATIN open class
(Bachata) THE move right now~ One for the lead, one for the follow, and you're set! Monggu & Rafle nail the essentials — open class @ LATIN
(Bachata) Level up with one simple pretty pattern~ Add a DJ turn to your side cambré! Monguraful Mongplang open class LATIN
(Bachata) Left-left-left, right-right-right — spot the difference~ today's trend guy unfolds his left & right in full color: Monggu & Rafl one-song class
(Bachata) Real social-floor hacks straight from big-data analysis, boom boom boom! Mongoo & Rafle open class in 1 speedy minute (1 min can't do it justice~go take the real class^^;)
(Bachata) This music had THAT much crazy in it! The exact point Rafle brought roaring to life
Collecting these slowly, one at a timeThey get better every rewatch
(Bachata) Rafl rocking that full Gatica aura~ you can feel the influence in every move, so cool! Rafl's Gatica Bootcamp rebooting performance
(Bachata) Three performances in one~ Mongu & Rafle MongPlan one-song class (Thu A/B teams + Sat Latin performance, combined edit)
(Bachata) Mongu & Rafl made me hear La Ultima Bachata all over again — a healing one-song class
(Bachata) A painting drawn in pretty patterns and lines — Mongblanc 💛all the vibes💛 one-song class ~ Monggu & Rafl fancam
(Bachata) Handsome Mongu, gorgeous Rafle — zoom in and enjoy~ Barcelona's hottest right now! MongPlan one-song class
(Bachata) So good~ so good... pure healing just watching it — Mongu & Rafl's one-song class, La Ultima Bachata
(Bachata) Pretty patterns made even prettier~ Picking out today's hottest moves from Monplan's one-song class🤓
(Bachata) Use the elasticity and whip it right back in~ Mongblanc's zouky combos, Mongu & Rafle
(Bachata) Socials should always feel like this~~ pretty patterns, fun AND precise — Mongu La Ple one-song class
(Bachata) Floaty fairy lines you can't stop watching — La Fleur lady-styling fancam, pure healing
(Bachata) Copy-paste-worthy pretty head rolls & movement~ Monguraful Mongplang open class demo LATIN
(Bachata) Bachata meets tango, all the way to a killer lift~ gave off total Andres & Jessica energy 👍🏻👍🏻👍🏻 Mongu & Rafle's Mont Blanc performance team
(Bachata) Performance-team aura, built entirely on BachaTango~ Mongu & Rafle's Mont Blanc performance team
(Bachata) Today's style, all about the points~ Monggu & Rapple one-song class
(Bachata) The Prettiest Patterns You Can Actually Use, Straight from Mongu & Rafle's One-Song Class
(Bachata) Shine part with the tension cranked up & one gorgeous highlight! Monggu & Rafl one-song class
(Bachata) Monggu & Rafl rehearsal cut — Aitor & Angelica bootcamp
(Bachata) Mongoo & Rafle open class demo, cut down to 1 minute
(Bachata) Adorable smile, killer song pick ✨Mongoo & Rafle one-song class✨
“The foundation of bachata is the step turn. If the guy doesn't keep pushing, she can't walk and she can't turn.”
CHOA's note: explaining how the step turn works, stressing that once you're open the follow can't move without a lead
Watch that moment →“Moving forward here isn't a turn. A turn needs energy that clearly carries you over.”
CHOA's note: separating a turn from mere movement, calling out how many students mistake the prep for the turn and spin early
Watch that moment →“If the guy doesn't push into the frame, she just stops right there and can't turn. That's why she isn't turning.”
CHOA's note: pinpointing why the turn doesn't happen in the bracket frame without the leader's push
Watch that moment →“The lady's frame never — ever — collapses inward from that bracket shape.”
CHOA's note: describing the shape of an open frame and stressing that it must not break
Watch that moment →“There has to be an obstacle there for the lady to lean into and play with — if it's not there, she just keeps going back and crashes into it.”
On the physical obstacle (the frame) the lead has to build with his body or hand for the follow.
Watch that moment →“Your right hand has to arrive at exactly the right spot — that's how much she gets to turn.”
CHOA's note: pointing out that when the follow can't turn as far as she wants, it's the leader's hand not going far enough
Watch that moment →“Before she drifts away, you actually pull in a little and then give her a small open.”
CHOA's note: explaining how to control the lead so the follow doesn't suddenly get pulled away when you open
Watch that moment →“You're not lifting — you have to angle it downward, and that's what lets the lady create her tilt.”
CHOA's note: explaining that angling down rather than lifting the arm is what makes the follow's shape come out naturally
Watch that moment →A word about Rapl? No login.