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Latest first5 videos
(Bachata) That pretty-but-puzzling move, broken down step by step with Mongu & Rafle~ LATIN open class
(Bachata) THE move right now~ One for the lead, one for the follow, and you're set! Monggu & Rafle nail the essentials — open class @ LATIN
(Bachata) Level up with one simple pretty pattern~ Add a DJ turn to your side cambré! Monguraful Mongplang open class LATIN
(Bachata) Left-left-left, right-right-right — spot the difference~ today's trend guy unfolds his left & right in full color: Monggu & Rafl one-song class
(Bachata) Real social-floor hacks straight from big-data analysis, boom boom boom! Mongoo & Rafle open class in 1 speedy minute (1 min can't do it justice~go take the real class^^;)
Collecting these slowly, one at a timeThey get better every rewatch
(Bachata) Do it like this and 25 seconds fly by! Monggu & Rapl's Mongplang one-song class ending — 25 seconds!
(Bachata) THIS is how you wanna dance it~ 5 pattern combos handpicked by pretty-pattern pros Mongplang! Monggu & Rapl fancam
(Bachata) Three performances in one~ Mongu & Rafle MongPlan one-song class (Thu A/B teams + Sat Latin performance, combined edit)
(Bachata) Mongu & Rafl made me hear La Ultima Bachata all over again — a healing one-song class
(Bachata) A painting drawn in pretty patterns and lines — Mongblanc 💛all the vibes💛 one-song class ~ Monggu & Rafl fancam
(Bachata) Handsome Mongu, gorgeous Rafle — zoom in and enjoy~ Barcelona's hottest right now! MongPlan one-song class
(Bachata) So good~ so good... pure healing just watching it — Mongu & Rafl's one-song class, La Ultima Bachata
(Bachata) Pretty patterns made even prettier~ Picking out today's hottest moves from Monplan's one-song class🤓
(Bachata) That veteran vibe~ Monggu & Rafle at their peak, Cristian & Gabriela bootcamp encore performance
(Bachata) Use the elasticity and whip it right back in~ Mongblanc's zouky combos, Mongu & Rafle
(Bachata) All the pretty patterns, assemble~ Mongblanc's signature combos, one killer point each — Mongu & Rafle fancam
(Bachata) Terrible footage, but this pairing? Can't resist! FYI Umina & Rapl do NOT look this flat in real lifeㅠ we'll film them properly next time — K-Sensual Cristian & Gabriela bootcamp
(Bachata) Socials should always feel like this~~ pretty patterns, fun AND precise — Mongu La Ple one-song class
(Bachata) Copy-paste-worthy pretty head rolls & movement~ Monguraful Mongplang open class demo LATIN
(Bachata) Bachata meets tango, all the way to a killer lift~ gave off total Andres & Jessica energy 👍🏻👍🏻👍🏻 Mongu & Rafle's Mont Blanc performance team
(Bachata) Performance-team aura, built entirely on BachaTango~ Mongu & Rafle's Mont Blanc performance team
(Bachata) Today's style, all about the points~ Monggu & Rapple one-song class
(Bachata) The Prettiest Patterns You Can Actually Use, Straight from Mongu & Rafle's One-Song Class
(Bachata) Shine part with the tension cranked up & one gorgeous highlight! Monggu & Rafl one-song class
(Bachata) Monggu & Rafl rehearsal cut — Aitor & Angelica bootcamp
(Bachata) Mongoo & Rafle open class demo, cut down to 1 minute
(Bachata) Adorable smile, killer song pick ✨Mongoo & Rafle one-song class✨
“You're not grabbing the wrist — if you make contact all the way up the upper arm toward her back, that alone is enough to control her.”
Explaining where to hold and how to build contact points at the start of the pattern
Watch that moment →“If the guy doesn't shift his weight onto the left foot, the girl has no way to pull it together behind him.”
Explaining how the lead's weight transfer affects whether the follow can finish the move
Watch that moment →“This move only works because the guy keeps switching the direction of her frame — her ribs, basically.”
Breaking down why the pattern works, from the angle of the leader's frame control
Watch that moment →“Because I dropped the shoulder down, her body turns to the outside — and that's what makes the DJ turn possible.”
Explaining the frame principle that makes the DJ turn work
Watch that moment →“Actually, the lower your hand stays, the more stable it is.”
On how hand placement relates to stability when inverting the angle of the body.
Watch that moment →“When you breathe up and the tilt of your body changes, the lady's chest naturally ends up facing the sky.”
How using the breath to adjust the body's angle naturally turns the follow's chest.
Watch that moment →“The guy has to shift his weight along with the basic footwork and lift her at the same time.”
Explaining the timing of the weight shift and lifting the follow
Watch that moment →“Start low, and as you bring your arm up to her neckline, think of it as sweeping the line around — that works a lot better.”
Explaining what path the hand should draw to make the move look pretty
Watch that moment →“Give as many contact points as you can, and then when you feel like playing you can let go with the left hand and still control with just the right.”
On how much freedom you get from using contact points
Watch that moment →“You've got two options: come in together on the right foot, cap it, and go out on the left — or send it from the left and just come straight down.”
Offering two footwork alternatives for a change of direction the follows tend to get confused by.
Watch that moment →“The foundation of bachata is the step turn. If the guy doesn't keep pushing, she can't walk and she can't turn.”
CHOA's note: explaining how the step turn works, stressing that once you're open the follow can't move without a lead
Watch that moment →“Moving forward here isn't a turn. A turn needs energy that clearly carries you over.”
CHOA's note: separating a turn from mere movement, calling out how many students mistake the prep for the turn and spin early
Watch that moment →“If the guy doesn't push into the frame, she just stops right there and can't turn. That's why she isn't turning.”
CHOA's note: pinpointing why the turn doesn't happen in the bracket frame without the leader's push
Watch that moment →“If I just keep my frame, he'll lift my hand for me. I'm not the one raising it.”
Explaining that the follow's hand goes up from keeping the frame, not from lifting it herself.
Watch that moment →“The lady's frame never — ever — collapses inward from that bracket shape.”
CHOA's note: describing the shape of an open frame and stressing that it must not break
Watch that moment →“There has to be an obstacle there for the lady to lean into and play with — if it's not there, she just keeps going back and crashes into it.”
On the physical obstacle (the frame) the lead has to build with his body or hand for the follow.
Watch that moment →“Your right hand has to arrive at exactly the right spot — that's how much she gets to turn.”
CHOA's note: pointing out that when the follow can't turn as far as she wants, it's the leader's hand not going far enough
Watch that moment →“Even when his hand disappears, you have to keep your frame. Where most people mess up is throwing it over his head the second the hand comes off.”
Stressing that the follow shouldn't break her own frame when the lead's hand leaves, and pointing out the common mistake.
Watch that moment →“You've got to hold this line so she can't come back up — that's what keeps the connection from dropping.”
Opening on why the line that maintains the lead's connection (frame) with the follow matters.
Watch that moment →“You have to let her know for sure that my hand is right here — that's what makes the next move possible.”
Stressing that the lead's hand position is the signal for what comes next.
Watch that moment →“Before she drifts away, you actually pull in a little and then give her a small open.”
CHOA's note: explaining how to control the lead so the follow doesn't suddenly get pulled away when you open
Watch that moment →“You're not lifting — you have to angle it downward, and that's what lets the lady create her tilt.”
CHOA's note: explaining that angling down rather than lifting the arm is what makes the follow's shape come out naturally
Watch that moment →“Your upper arm has to stay on her side for her to bend properly. Meaning: don't rush it.”
CHOA's note: advice to hold the upper arm's position and travel slowly instead of rushing through the move
Watch that moment →“It's not about just lifting your hand — you have to clearly show her, 'my hand is here.' Holding it vaguely doesn't work.”
On how the clarity of the hand gesture affects the precision of the lead.
Watch that moment →A word about Mongplang? No login.