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SHORTS 9:16
(Bachata) A two-shot you'll never see again โ I saw itโ๏ธ not that it's useful for anything๐ the breakup nobody complained about


Lines worth chewing on โ tap to jump to the moment.

โOn that first turn, both partners need to go in with the same tension. Don't let your core go loose.โ
CONTEXTAsking a partner to keep the tension up during counterbalance practice

โFor the head direction, the lead gives you a signal to the side, and then a signal to step forward.โ
CONTEXTExplaining how the head-movement cue gets passed between lead and follow.

โYou don't move your head right away. The head is the very last thing to move.โ
CONTEXTMid head-movement drill, explaining which part of the body moves first.

โStep forward, and let your head come late โ late.โ
CONTEXTExplaining how to offset the timing between your feet and your head for a styling effect.

โThe moment you whip your head over, you've got to send your shoulder back.โ
CONTEXTExplaining how to connect the head snap with the shoulder.

โWhen you do a head roll, send your shoulders back. If you don't send them back, it looks like your neck is just stiffly propped up.โ
CONTEXTPointing out, with a vivid image, how awkward the move looks when the shoulders and head aren't connected
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Pulled from the same drawer โ keep watching.

(๋ฐ์ฐจํ) ์๋ ๊ณผ ๋๊ฐ์ ๋ฐ๋ชจ๊ณก~ ์ด ๋ ธ๋ ์ต๊ฐํ ์ข์ํ๋ค! ์ฐ์ปคํ ์ผ๋ฏธ ์ง์ค๋ฐ๋ ๋ผํ์ @ ๋๊ตฌ ๋ฐ์ผ (์งฑ์ข!) ์ดฌ์ ์์ง์ค

(๋ฐ์ฐจํ) ์ฌ๋ผ ํ๋ค๋ก โจAll in Oneโจ๋ ์ด๋ ์คํ์ผ๋ง - ๊ธฐ๋ณธ ํ์ ๋ฌดํ ์์ฉ! ๊ทธ๋ฆฌ๊ณ ๋ฐ๋ ๋ฌด๋ธ๋จผํธ๊น์ง~

(๋ฐ์ฐจํ) ์ญ์ค์ง 1๋ฑ ๊ทธ๋ ์ด ์ค์์ค์ LATIN ์คํ ๊ฐ์ต ๋ฐ๋ชจ


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